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In the domain of interaction which of the following is not associated with Goffman’s formulation on interaction?
Question

In the domain of interaction which of the following is not associated with Goffman’s formulation on interaction?


A.

 Actors may want to conceal secret pleasures


B.

 Actors may want to conceal errors have been made in the preparation of the performance as well as steps that have been taken to correct these errors


C.

 Actors may find it necessary to show only end products and to conceal the process involved in producing of them

D.

Goffman suggests various forms of dramaturgic loyalty for fastening high in-group loyalty

Correct option is D

Goffman suggests various forms of dramaturgic loyalty for fastening high in-group loyalty

Erving Goffman, in his dramaturgical theory of interaction, compares social interactions to theatrical performances, where individuals are "actors" who perform roles based on the social context they find themselves in. In his seminal work "The Presentation of Self in Everyday Life", Goffman discusses how individuals manage the impressions they give to others in various social situations.

Let’s break down each option:

  1. (a) Actors may want to conceal secret pleasures

    • This is aligned with Goffman’s theory, as individuals often present a front stage image that masks their private desires or pleasures. This relates to impression management, where people attempt to control the information they reveal to others.
  2. (b) Actors may want to conceal errors that have been made in the preparation of the performance as well as steps that have been taken to correct these errors

    • This is also in line with Goffman’s ideas. In social situations, individuals may attempt to conceal any mistakes or errors in their performance, as it could potentially damage their social image. The idea of impression management emphasizes hiding the mistakes from the audience (the public).
  3. (c) Actors may find it necessary to show only end products and to conceal the process involved in producing them

    • This also reflects Goffman’s concept. Actors (individuals) often want to present only the finished product in their interactions with others, hiding the behind-the-scenes process or the work involved, to maintain a polished image.
  4. (d) Goffman suggests various forms of dramaturgic loyalty for fastening high in-group loyalty

    • This statement is not associated with Goffman’s theory. While Goffman discusses front stage and back stage behavior and how individuals perform in social settings, dramaturgical loyalty and high in-group loyalty are not key themes in his work. Goffman’s focus is more on the presentation of self, managing impressions, and the social roles individuals play, rather than emphasizing in-group loyalty as a significant component.

Information Booster:

  • Goffman’s dramaturgical approach is focused on how individuals behave in social situations, managing their image and roles like actors on a stage.
  • His key terms include front stage (where individuals perform for others) and back stage (where they can relax and behave more authentically).
  • Goffman’s focus is primarily on impression management rather than loyalty dynamics or group membership loyalty.

Why Other Options Are Correct:

  • (a), (b), and (c) all fit within Goffman’s dramaturgical framework about managing impressions, concealing personal desires, and showing only the end product of social performances, in line with his analysis of social interactions.

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