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    Why is the Raga Tarangini considered highly important in Hindustani music history?
    Question

    Why is the Raga Tarangini considered highly important in Hindustani music history?

    A.

    It uses only southern ragas

    B.

    It introduces tabla and harmonium

    C.

    It uses many raga names still in use today

    D.

    It rejects traditional Indian theories

    Correct option is C

    The correct answer is (C) It uses many raga names still in use today

    Explanation:
    • The historical musical treatise titled *Raga Tarangini*, composed by the eminent musicologist Locana Kavi, holds an important place in Indian classical music because it established a bridge between medieval and modern musical practices.
    • Locana Kavi discarded highly abstract and obsolete classification systems of antiquity, choosing instead to document the performance practices of northern India using nomenclature that aligns with modern Hindustani classical raga structures.
    • The text systematically details melodic characteristics, note variations, and raga structures under familiar names that remain active in contemporary concert performances, offering insight into the evolution of classical compositions.
    • Its focus on empirical musical realities over rigid academic dogmatism helped standardize the performance grammar for future generations of musicians across northern India.

    Information Booster:
    • In *Raga Tarangini*, Locana Kavi pioneered an early classification system by grouping numerous ragas under twelve parent musical scales or parental modes, known as *Melas* or *Thats*.
    • This innovative taxonomy directly anticipated the modern ten-*Thaat* classification system finalized in the 20th century by the great musicologist Pandit Vishnu Narayan Bhatkhande.
    • Treatises like *Raga Tarangini* are essential historical records for tracking how regional folk melodies were integrated into the formal classical art music tradition.

    Additional Knowledge:
    • Uses only southern ragas (Option A): This is incorrect, as the text focuses on northern or Hindustani performance traditions, though it shares structural concepts with southern Carnatic music frameworks.
    • Introduces tabla and harmonium (Option B): False; the harmonium was introduced to India by European missionaries much later, and the tabla evolved separately through Sufi and courtly contexts.
    • Rejects traditional Indian theories (Option D): Inaccurate; the text builds upon and refines classical music traditions to better match the evolving performance styles of its era.

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