Correct option is D
Roland Barthes is not a Yale critic. The Yale critics were a group of American literary critics who were associated with Yale University in the 1970s and 1980s. They were influenced by the French philosopher Jacques Derrida and his deconstructive approach to literary criticism. The Yale critics were known for their challenging and often controversial interpretations of texts. They argued that texts were not inherently meaningful and that their meaning was always deferred and unstable. They also argued that texts could be read in multiple and contradictory ways. Some of the most prominent Yale critics include Geoffrey Hartman, Paul de Man, J. Hillis Miller, Harold Bloom, and Shoshana Felman.
Information Booster:
The Yale School:
The Yale critics were prominent figures in deconstruction and literary criticism. Their work centered on texts' inherent ambiguities and instability.
Members include:
Geoffrey Hartman (noted for his focus on Romanticism and literature's relationship with theory).
Paul de Man (known for his contributions to deconstruction and rhetoric).
J. Hillis Miller (explored narrative, Victorian literature, and deconstruction).
Roland Barthes was a French literary critic, philosopher, essayist, cultural theorist, linguist, semiotician, and teacher. He is considered one of the most important and influential thinkers of the 20th century. Barthes's work is characterized by its interdisciplinarity and its insights into the nature of language, meaning, and culture. He explored a wide range of topics in his writing, including photography, advertising, fashion, and literature.
Some of Barthes's most famous works include:
• Camera Lucida (1980)
• S/Z (1970)
• Mythologies (1957)
• The Pleasure of the Text (1973)
• The Elements of Semiology (1964)
Barthes's work has had a profound impact on a wide range of fields, including literary criticism, cultural studies, and linguistics. He is considered one of the most important and influential thinkers of the 20th century.
Developed semiotics to analyze cultural artifacts.
Introduced the idea of the "reader's centrality" in interpreting texts, as seen in The Death of the Author.
A key figure in French intellectual circles but unaffiliated with Yale's deconstruction movement.
Additional Knowledge:
(a) Geoffrey Hartman: Integral to the Yale School, Hartman explored the intersection of deconstruction, Jewish thought, and Romanticism.
(b) Paul de Man: Known for his controversial association with deconstruction and posthumously scrutinized for his wartime writings.
(c) J. Hillis Miller: A significant voice in applying deconstructive principles to literary studies.