Correct option is C
Correct Option: c)
Introduction:
The
Antara is the second stanza of a classical composition, typically exploring the
upper octave (tar saptak) and highlighting the higher notes of the raga.
Information Booster:
· The phrase commonly used is
Pa Pa Sa - Sá Rẻ Sả.
· This specific
closing cadence is a hallmark of the Antara in several ragas belonging to the
Kalyan Thaat family, notably
Kedar, Kamod, and Chayanat.
· The pattern involves a
strong emphasis on Pancham “Pa”, often repeated, followed by a swift, graceful descent that touches
Shadja “Sa” in the middle octave before leaping to the upper
Shadja “Sá” and then descending through
Re “Rẻ” back to the tonic “
Sả”.
· This creates a signature, satisfying conclusion to the Antara section in these ragas.
Additional Knowledge:
·
Pa Dha Ni Sá Rẻ Sả: This is more characteristic of ragas like
Yaman or
Bhoopali, where
Dha and Ni are prominent in the ascent to the upper Sa.
·
Ma Dha, Pa Ni Rẻ Sả: This phrase does not represent the classic Kalyan-family Antara cadence and is more typical of other raga groups.
·
Pa Pa Ni Ni Rẻ Sà: This pattern, with repeated Ni, is associated with ragas like
Hansadhwani or
Bageshree, not the specified Kedar-Kamod-Chayanat group.