Correct option is D
Correct Option: d)
In Hindustani raga theory, the
Vadi Swara is the
"sonant" or king note.
Information Booster:
· According to
Bhatkhande's observation, the note
Nishad “Ni” is
not conventionally used as the
Vadi Swara in the mainstream, prevalent ragas of Hindustani music.
· His analysis of the raga repertoire showed that
Sa, Re, Ga, Ma, Pa, and Dha commonly serve as the vadi, but
Ni is typically not assigned this primary role.
· It usually functions as a
Samvadi (consonant second) or an
Anuvadi (assonant) note.
· This is an empirical observation of practice rather than a strict theoretical rule.
Additional Knowledge:
·
Re, Ga, Dha: These notes are frequently found as the
Vadi Swara in many important ragas.
· For example:
Re in Bageshree,
Ga in Yaman,
Dha in Bhimpalasi.
·
Sa, Ma, Pa: These are the most common vadi swaras (e.g.,
Sa in Bhupali,
Ma in Puriya,
Pa in Desh).