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According to Bhatkhande, which note is not used as 'Vadi swara' in the prevalent music?
Question

According to Bhatkhande, which note is not used as 'Vadi swara' in the prevalent music?

A.

Re

B.

Ga

C.

Dha

D.

Ni

Correct option is D


Correct Option: d)
In Hindustani raga theory, the Vadi Swara is the "sonant" or king note.
Information Booster:
· According to Bhatkhande's observation, the note Nishad “Ni” is not conventionally used as the Vadi Swara in the mainstream, prevalent ragas of Hindustani music.
· His analysis of the raga repertoire showed that Sa, Re, Ga, Ma, Pa, and Dha commonly serve as the vadi, but Ni is typically not assigned this primary role.
· It usually functions as a Samvadi (consonant second) or an Anuvadi (assonant) note.
· This is an empirical observation of practice rather than a strict theoretical rule.
Additional Knowledge:
· Re, Ga, Dha: These notes are frequently found as the Vadi Swara in many important ragas.
· For example: Re in Bageshree, Ga in Yaman, Dha in Bhimpalasi.
· Sa, Ma, Pa: These are the most common vadi swaras (e.g., Sa in Bhupali, Ma in Puriya, Pa in Desh).

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