Correct option is B
Explanation:
Julia Kristeva’s concept of the ‘semiotic’ is derived from her theory of signification, outlined in works like Revolution in Poetic Language (1974). The ‘semiotic’ refers to the pre-linguistic, bodily, and affective dimensions of language. It is linked to rhythms, tones, and the unconscious, breaking away from structured, logical systems of signification.
Displacement, slippage, and condensation are central to the ‘semiotic’ because these processes reflect unconscious drives and energies that disrupt the coherence of the symbolic order (the realm of grammar, logic, and societal rules). These terms are borrowed from psychoanalysis, particularly Freud, and emphasize the fluid, dynamic, and nonlinear aspects of meaning-making.
Information Booster:
- Kristeva contrasts the semiotic with the symbolic, where the latter represents language as structured and governed by societal norms.
- The semiotic challenges the rigidity of the symbolic by introducing elements of play, emotion, and disruption.
- It is particularly relevant in poetry and avant-garde literature, where language resists traditional forms and logic.
- The semiotic is closely linked to maternal and bodily energies, highlighting the pre-Oedipal phase of psychic development.
Additional Knowledge:
- Authority, order, and patriarchy (a): These align more with the symbolic realm, characterized by structure and societal laws.
- Repression, control, and normalcy (c): These are mechanisms of the symbolic order, suppressing the semiotic.
- Logic, reason, and power (d): Attributes of the symbolic, not the semiotic.