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    Ustad Ghagge Khuda Baksh was associated with which of the following gharanas?
    Question

    Ustad Ghagge Khuda Baksh was associated with which of the following gharanas?

    A.

    Delhi Gharana

    B.

    Benaras Gharana

    C.

    Agra Gharana

    D.

    Gwalior Gharana

    Correct option is C

    The correct answer is (C) Agra Gharana.

    Explanation:

    Ustad Ghagge Khuda Baksh was a significant figure in Hindustani Classical Music and is known as the founder of the Agra Gharana. This gharana traces its roots back to Nayak Gopal, a dhrupad singer from the 14th century, but it was Ustad Ghagge Khuda Baksh who played a vital role in shaping its identity and style.

    The Agra Gharana is known for its powerful and robust vocalization, emphasis on deep and resonant voice projection, and a strong influence of dhrupad in khayal singing. It maintains a balance between technical proficiency and emotional expression in performances.

    Information Booster:

    • Foundation of Agra Gharana: Ustad Ghagge Khuda Baksh was a key contributor to the formation and evolution of the Agra Gharana, preserving its traditional dhrupad-based techniques.
    • Singing Style: The gharana is known for bold and forceful singing, well-structured taans (fast melodic passages), and deep voice resonance, making it distinct from other gharanas.
    • Influence on Future Musicians: Later exponents of this gharana include Ustad Faiyaz Khan, Ustad Vilayat Hussain Khan, and Ustad Latafat Hussain Khan, who further developed and popularized its techniques.

    Additional Knowledge:

    Delhi Gharana

    • One of the oldest gharanas in Hindustani classical music, primarily known for tabla and khayal singing.
    • Focuses on delicate voice modulation and intricate taans.

    Benaras Gharana

    • Famous for thumri, khayal, and tabla playing styles.
    • Rasoolan Bai and Girija Devi were among the notable vocalists from this gharana.

    Gwalior Gharana

    • Considered the oldest khayal gharana, originating in the 16th century.
    • Known for simple and systematic raga presentation, emphasizing clarity in bol-taans and gamakas.

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