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LIST I (Term) A. Culture Industry B. Anxiety of Influence C. Cultural Materialism D. Dialogism LIST II (Critic/Theorist) I. Raymond Williams II
Question

Match the List-I with List-II:

LIST I (Term) A. Culture Industry B. Anxiety of Influence C. Cultural Materialism D. Dialogism
LIST II (Critic/Theorist) I. Raymond Williams II. Adorno and Horkheimer III. Mikhail Bakhtin IV. Harold Bloom

A.

A-I, B-III, C-II, D-IV

B.

A-III, B-I, C-IV, D-II

C.

A-II, B-IV, C-I, D-III

D.

A-IV, B-II, C-III, D-I

Correct option is C

The correct matching is:
· A. Culture Industry – Adorno and Horkheimer (II): The term "Culture Industry" was developed by Theodor Adorno and Max Horkheimer to describe how mass-produced cultural goods manipulate society and enforce conformity.
· B. Anxiety of Influence – Harold Bloom (IV): Harold Bloom coined the term "Anxiety of Influence" to describe how poets struggle to create original work while grappling with the influence of previous writers.
· C. Cultural Materialism – Raymond Williams (I): Raymond Williams developed the concept of "Cultural Materialism," which examines the relationship between culture and society, emphasizing that cultural practices are influenced by material conditions.
· D. Dialogism – Mikhail Bakhtin (III): Mikhail Bakhtin introduced the concept of "Dialogism," referring to the multiplicity of voices and perspectives in literature, where different voices interact and challenge each other.
Information Booster:
1. Adorno and Horkheimer’s Culture Industry theory criticizes the commodification of culture under capitalism, where cultural products become standardized and create passive consumption.
2. Harold Bloom’s Anxiety of Influence explores the psychological struggle of writers, particularly poets, in overcoming the influence of their literary predecessors.
3. Raymond Williams’ Cultural Materialism examines how culture is connected to economic and social power, with a focus on the historical context of cultural practices.
4. Mikhail Bakhtin’s Dialogism highlights the interaction between different voices in literature, where no single perspective dominates, allowing for a multiplicity of meanings.

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