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Find the chronological order of publication of the given works: A. MythologiesB. Of grammatologyC. Culture and societyD. Blindness and insightE. The
Question

Find the chronological order of publication of the given works:
A. Mythologies
B. Of grammatology
C. Culture and society
D. Blindness and insight
E. The location of culture
Choose the correct answer from the options given below:

A.

A, C, B, D, E

B.

D, B, C, A, E

C.

D, B, C, E, A

D.

B, C, D, A, E

Correct option is A

The correct chronological order is:    

A. Mythologies (1957) by Roland Barthes
C. Culture and Society (1958) by Raymond Williams
B. Of Grammatology (1967) by Jacques Derrida
D. Blindness and Insight (1971) by Paul de Man
E. The Location of Culture (1994) by Homi K. Bhabha

Information Booster:

Roland Barthes – Mythologies (1957):

A landmark work in semiotics and structuralism, Mythologies consists of short essays that deconstruct cultural artifacts—such as soap advertisements, wrestling matches, or wine—revealing how bourgeois ideology is naturalized in everyday life. Barthes introduced the idea that myths are modes of communication, not just traditional stories, and that cultural meanings are constructed through signs. This work laid the foundation for cultural criticism by exposing the politics embedded in the mundane.

Raymond Williams – Culture and Society (1958):

This pioneering book shaped the development of cultural studies in Britain. Williams examined how the idea of "culture" evolved from the late 18th century through the works of thinkers like Burke, Coleridge, Arnold, and Orwell. He argued that culture is not just the realm of elite art but includes ordinary lived experience, especially in response to the pressures of industrial capitalism. Williams introduced key concepts such as cultural materialism and emphasized that literature reflects and responds to historical conditions.

Jacques Derrida – Of Grammatology (1967):

A foundational text in poststructuralism, Derrida’s Of Grammatology critiques the Western philosophical tradition’s privileging of speech over writing (a concept he calls phonocentrism). Derrida argues that meaning is always deferred and unstable, introducing the concept of différance—the idea that meaning arises through difference and is constantly postponed. This book effectively launched the theory of deconstruction, which questions the stability of language, meaning, and authorship.

Paul de Man – Blindness and Insight (1971):

A major figure in Yale deconstruction, Paul de Man’s essays in Blindness and Insight challenge the assumptions of literary interpretation. He argues that critics are often "blind" to the contradictions in their own interpretive acts. De Man explores how texts undermine their own authority, emphasizing the rhetorical over the referential. His work became crucial in shaping the American reception of deconstruction, linking it to literary criticism rather than just philosophy.

Homi K. Bhabha – The Location of Culture (1994):

A groundbreaking text in postcolonial theory, Bhabha’s work introduces key concepts such as hybridity, mimicry, ambivalence, and the Third Space. He critiques colonial power structures and explores how colonized subjects negotiate identity within systems of domination. Bhabha challenges binary oppositions (colonizer/colonized) and emphasizes the fluid and contested nature of cultural identity. His influence extends across disciplines including literature, cultural theory, and political thought.

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