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    Arrange the following terms in the chronological order of emergence:A. Heresy of ParaphraseB. Stream of ConsciousnessC. Practical CriticismD. Defamili
    Question

    Arrange the following terms in the chronological order of emergence:

    A. Heresy of Paraphrase
    B. Stream of Consciousness
    C. Practical Criticism
    D. Defamiliarization

    Choose the correct answer from the options given below:

    A.

    D, B, C, A

    B.

    B, D, A, C

    C.

    B, D, C, A

    D.

    D, C, B, A

    Correct option is C

    Explanation:
    B. Stream of Consciousness:
    This term emerged in the late 19th and early 20th centuries, primarily associated with psychological and literary studies. It was coined by William James in The Principles of Psychology (1890) and popularized in modernist fiction by writers like Virginia Woolf, James Joyce, and Marcel Proust.
    D. Defamiliarization:
    Introduced in 1917 by Victor Shklovsky, a Russian Formalist, in his essay Art as Technique. It refers to the technique of presenting common things in an unfamiliar or strange way to renew the perception of the audience.
    C. Practical Criticism:
    Developed in the 1920s by I.A. Richards in his book Practical Criticism (1929), it introduced a method of close textual analysis without relying on external information like historical context or authorial intent.
    A. Heresy of Paraphrase:
    This concept emerged later, in 1947, with Cleanth Brooks’s The Well Wrought Urn. Brooks argued that poetry cannot be reduced to a paraphrased meaning because its essence lies in its form and structure.

    Information Booster:


    Stream of Consciousness: Revolutionized narrative techniques in modernist fiction, emphasizing inner thoughts and emotions.
    Defamiliarization: Became a hallmark of Formalist criticism, challenging conventional modes of representation.
    Practical Criticism: A cornerstone of New Criticism, prioritizing textual analysis over historical or biographical context.
    Heresy of Paraphrase: Central to New Criticism, reinforcing the inseparability of form and content in literature.

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