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Top 30 Art and Culture of Odisha MCQs for OSSSC RI,ARI, Amin, SFS, ICDS Supervisor 15 April 2024

Odisha, with its rich cultural heritage and vibrant artistic traditions, has always been a significant part of India’s cultural landscape. For aspirants preparing for various competitive exams such as OSSSC RI, ARI, Amin, SFS, ICDS Supervisor, having a comprehensive understanding of Odisha’s art and culture is crucial. To aid in your preparation, here are the top 30 multiple-choice questions (MCQs) covering various aspects of Odisha’s art and culture.

Top 30 Art and Culture of Odisha MCQs for OSSSC RI,ARI, Amin, SFS, ICDS Supervisor

  1. Where are the painted rock shelters from the prehistoric era primarily located?
    a) Western part of Karnataka
    b) Western part of Odisha
    c) Northern part of Tamil Nadu
    d) Southern part of Rajasthan
    Answer: b) Western part of Odisha
  2. What is the predominant theme depicted in these prehistoric rock paintings?
    a) Religious rituals
    b) Modern city life
    c) Hunting, dancing, fighting, and domestic activities
    d) Agricultural practices
    Answer: c) Hunting, dancing, fighting, and domestic activities
  3. What colors were used in these paintings, extracted from various sources?
    a) Blue, green, and yellow
    b) Red, white, and brown
    c) Black, purple, and orange
    d) Pink, turquoise, and gold
    Answer: b) Red, white, and brown
  4. Which script do the characters in these rock paintings resemble a mix of?
    a) Indus Valley Civilization script
    b) Egyptian hieroglyphs
    c) Mohenjodaro and Brahmi scripts
    d) Greek alphabet
    Answer: c) Mohenjodaro and Brahmi scripts
  5. Where can examples of these prehistoric paintings be found, depicting a procession scene of a king riding an elephant among other motifs?
    a) Lakshmi temple in Odisha
    b) Jagannath temple in Odisha
    c) Ajanta caves in Maharashtra
    d) Ellora caves in Maharashtra
    Answer: b) Jagannath temple in Odisha
  6. What is the primary subject matter of Saura paintings?
    A) Tribal deities
    B) Agricultural activities
    C) Animals and nature
    D) Mythological figures
    Answer: A) Tribal deities
  7. Which of the following tribal communities is associated with Kondh paintings?
    A) Saura
    B) Juang
    C) Kondh
    D) Paudi Bhuyan
    Answer: C) Kondh
  8. What are Kondh wall paintings known as?
    A) Idital
    B) Tikangkuda
    C) Manji Gunda
    D) Jhanjira
    Answer: C) Manji Gunda
  9. Which community’s paintings primarily depict the Samlai deity and agricultural activities?
    A) Saura
    B) Kondh
    C) Paudi Bhuyan
    D) Juang
    Answer: C) Paudi Bhuyan
  10. What themes are commonly depicted in Juang paintings?
    A) Tribal deities
    B) Agricultural activities
    C) Birds, animals, and flowers
    D) Mythological figures
    Answer: C) Birds, animals, and flowers
  11. What is the primary theme of Pattachitra paintings of Odisha?
    A) Buddhist mythology
    B) Hindu mythology
    C) Islamic folklore
    D) Tribal legends
    Answer: B) Hindu mythology
  12. Which village in Odisha is renowned for being the original hub of Pattachitra painters?
    A) Bhubaneswar
    B) Konark
    C) Raghurajpur
    D) Sonepur
    Answer: C) Raghurajpur
  13. When is the origin of Pattachitra art traced back to?
    A) 1st century AD
    B) 5th century BC
    C) 10th century AD
    D) 15th century AD
    Answer: B) 5th century BC
  14. Which mythical creature is depicted in the Navagunjara theme of Pattachitra?
    A) Dragon
    B) Griffin
    C) Chimera
    D) Nine different creatures
    Answer: D) Nine different creatures
  15. In which regions of Odisha did Pattachitra painting flourish?
    A) Konark and Bhubaneswar
    B) Puri and Chikiti
    C) Paralakhemundi and Sonepur
    D) All of the above
    Answer: D) All of the above
  16. What are Ganjapa playing cards in relation to Pattachitra?
    A) Square shaped painted cards
    B) Circular shaped painted cards
    C) Rectangular shaped painted cards
    D) Triangular shaped painted cards
    Answer: B) Circular shaped painted cards
  17. Who primarily prepares the canvas and applies colors in Pattachitra painting?
    A) Men
    B) Children
    C) Women
    D) Artisans
    Answer: C) Women
  18. What is the primary material used to prepare the canvas for Pattachitra paintings?
    A) Paper
    B) Cloth
    C) Wood
    D) Canvas
    Answer: B) Cloth
  19. How do artists create preliminary drawings in Pattachitra painting?
    A) Pencil sketches
    B) Charcoal sketches
    C) Brush strokes
    D) Stone etching
    Answer: C) Brush strokes
  20. Which festival is associated with the creation of Pattachitra paintings depicting Pith flowers and figures of charming women?
    A) Diwali
    B) Holi
    C) Durga Puja
    D) Jhulana
    Answer: D) Jhulana
  21. What is the traditional name for the type of pattachitra painting described in the passage?
    a) Tala Pattachitra
    b) Madhubani
    c) Warli
    d) Kalamkari
    Answer: a) Tala Pattachitra
  22. How are the images in Tala Pattachitra drawn on palm leaf?
    a) Painted with watercolors
    b) Carved into the palm leaf
    c) Traced using black or white ink to fill grooves
    d) Embroidered onto the palm leaf
    Answer: c) Traced using black or white ink to fill grooves
  23. What unique feature distinguishes Tala Pattachitra paintings from other forms of pattachitra?
    a) They are painted on cloth
    b) They are drawn on tree bark
    c) They have superimposing layers with some areas left open to show a second image
    d) They are drawn on canvas
    Answer: c) They have superimposing layers with some areas left open to show a second image
  24. Where are some examples of palm leaf manuscripts preserved?
    a) Kolkata
    b) Delhi
    c) Bhubaneswar
    d) Mumbai
    Answer: c) Bhubaneswar
  25. What material is used to create rows of equal-sized panels for Tala Pattachitra paintings?
    a) Canvas
    b) Paper
    c) Palm leaf
    d) Silk
    Answer: c) Palm leaf
  26. What is the name of the folk art form described in the passage?
    A) Pattachitra
    B) Jhoti or Chita
    C) Warli
    D) Madhubani
    Answer: B) Jhoti or Chita
  27. In which month do women folk in Odisha typically engage in decorating mud walls and floors with murals?
    A) January
    B) Margasira
    C) May
    D) September
    Answer: B) Margasira
  28. What is the primary purpose of creating Jhoti or Chita paintings?
    A) Religious worship
    B) Harvest celebrations
    C) Cultural festivals
    D) Historical documentation
    Answer: A) Religious worship
  29. Which of the following motifs are commonly used in Jhoti or Chita paintings?
    A) Mountains and rivers
    B) Cars and airplanes
    C) Lotus, flowers, and elephants
    D) Computers and smartphones
    Answer: C) Lotus, flowers, and elephants
  30. Besides mud walls and floors, where else are Jhoti paintings sometimes printed?
    A) Canvas
    B) Wood
    C) Sarees
    D) Metal plates
    Answers: C) Sarees

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