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Match List I with List II: List I (Author)List II (Text)A. Thomas PynchonI. GB. Howard JacobsonII. VC. Anthony BurgessIII. JD. John BergerIV. M/F
Question

Match List I with List II

List I (Author)
List II (Text)
A. Thomas Pynchon
I. G
B. Howard Jacobson
II. V
C. Anthony Burgess
III. J
D. John Berger
IV. M/F

Choose the correct answer from the options given below:

A.

A - II, B - IV, C - I, D - III

B.

A - II, B - III, C - IV, D - I

C.

A - II, B - III, C - I, D - IV

D.

A - IV, B - III, C - I, D - II

Correct option is B

Explanation:
Thomas Pynchon → V
Pynchon’s V (1963) is a postmodern novel exploring themes of identity and historical mystery, notable for its complex structure and interwoven narratives.
Howard Jacobson → J 
J (2014) is a dystopian novel by Jacobson, exploring themes of memory, identity, and societal trauma in a speculative future. Shortlisted for the Booker Prize in 2014, it’s a haunting exploration of collective memory.
Anthony Burgess → M/F 
M/F (1971) is a metafictional novel by Burgess, incorporating wordplay, mythology, and explorations of gender and identity. Highlights Burgess’s fascination with linguistic puzzles and mythological frameworks.
John Berger → G.    
Berger’s G. (1972) is a philosophical novel that won the Booker Prize, blending historical narrative and personal reflection to explore love and politics. A groundbreaking novel that blends narrative and critical theory, showcasing Berger’s unique voice.

Information Booster:
Key Authors and Works:
Thomas Pynchon: Known for his dense, postmodern novels such as Gravity’s Rainbow and V. Known for intricate plots and encyclopedic references.
Howard Jacobson: A British author known for blending humor and philosophical depth, especially in novels like The Finkler Question.
Anthony Burgess: Best known for A Clockwork Orange, he experimented with language, structure, and narrative.
John Berger: A novelist and art critic, Berger is celebrated for works like Ways of Seeing and G.
Key Themes:
Pynchon: Postmodernism, paranoia, and history.
Jacobson: Satire, dystopia, and identity.
Burgess: Metafiction and linguistic innovation.
Berger: Historical consciousness and narrative experimentation.

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