Examples of poetic compounding are found in the work of which two modernist writers?

(a) Graham Greene
(b) James Joyce
(c) Gerard Manley Hopkins
(d) Stephen Spender

Choose the correct option:

Correct option is C

Explanation:

The correct answer is James Joyce and Gerard Manley Hopkins.

James Joyce is a prominent figure in modernist literature and a master of wordplay, including poetic compounding. His experimental use of language in Ulysses and Finnegans Wake exhibits his knack for blending words, creating compound phrases, and pushing the limits of language to capture intricate ideas and emotions.

Gerard Manley Hopkins, known for his innovative style, also employs poetic compounding in his works. His use of sprung rhythm, as well as his unique word combinations, is a defining feature of his poetry. His works like The Windhover and Pied Beauty use compounded expressions to evoke vivid imagery.

Information Booster:

James Joyce's use of poetic compounding and linguistic experimentation is evident in his modernist works.

- Ulysses is especially noted for its dense, layered language and compounded expressions, where Joyce blends multiple meanings into a single word or phrase.

Gerard Manley Hopkins is a pioneer of sprung rhythm and frequently uses poetic compounding in his verse.

- He created complex metaphors by combining words in innovative ways, which allowed him to express emotions and themes more powerfully.

- Phrases like "dapple-dawn-drawn" from The Windhover are quintessential examples of his technique.

Additional Information:

Graham Greene:

- Although Greene was a celebrated novelist, particularly for works like The Power and the Glory, he was not known for poetic compounding. His focus was on writing prose, specifically in the realm of espionage, rather than employing stylistic techniques typical of modernist poetry.

Stephen Spender:

- Stephen Spender was a modernist poet, but his main contribution was in the realm of social issues, using clear, direct language. Though his works are influential, they are not primarily characterized by poetic compounding.