Who among the following displays an influence of the Yakshagana folk tradition in his plays?

Correct option is B

Girish Karnad is the playwright who displays an influence of the Yakshagana folk tradition in his plays. Yakshagana is a traditional form of theatre in Karnataka, India. It is a highly stylized form of dance-drama that combines elements of music, dance, and storytelling.

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Yakshagana plays are typically based on Hindu mythology and epics, and they often deal with themes of good versus evil, dharma versus adharma, and the nature of reality. Karnad was born and raised in Karnataka, and he was exposed to Yakshagana from a young age. He has said that Yakshagana was a major influence on his work as a playwright. He has incorporated elements of Yakshagana into many of his plays, including Hayavadana, Tughlaq, and Naga-Mandala.
One of the most notable examples of Karnad's use of Yakshagana is his play Hayavadana. This play is based on a story from the Kathasaritsagara, a collection of Hindu folktales. The play tells the story of two men who have their heads transplanted onto each other's bodies. The play is a complex and philosophical exploration of themes such as identity, desire, and the nature of reality. Karnad's use of Yakshagana is not simply a matter of borrowing elements from a traditional form of theatre. He has also used Yakshagana to explore contemporary themes and issues. For example, his play Tughlaq is a historical play about the 14th-century sultan Muhammad bin Tughluq. Karnad uses the play to explore themes such as the nature of power, the relationship between the ruler and the ruled, and the challenges of governing a diverse society.
Karnad's work has been praised for its originality, its insights into human nature, and its use of traditional Indian forms of expression. He is considered to be one of the most important Indian playwrights of the 20th century.

Additional Knowledge:

Vijay Tendulkar: Known for Marathi plays like Ghashiram Kotwal and Sakharam Binder, Tendulkar's focus was social realism and political satire.

Badal Sircar: Pioneer of "Third Theatre," his works, such as Evam Indrajit and Pagla Ghoda, centered on urban existential angst.

Utpal Dutt: A revolutionary playwright and director, Dutt integrated Marxist ideology into his plays like The Great Rebellion, focusing more on political theatre.