Correct option is A
The correct answer is: (a) Inclusion of Rasas
Explanation:
· The most distinctive and fundamental feature of
Classical Indian Drama is the
Theory of Rasa (aesthetic sentiment).
· Derived from Bharata Muni's
Natya Shastra, a
Rasa is the emotional flavor or aesthetic experience evoked in the audience by the performance.
· A play is designed to evoke one dominant
Rasa (like
Shringara - Love, or
Veera - Heroism) while supporting it with other transitory emotions.
· There are traditionally
eight Rasas (later expanded to nine, the
Navarasas), covering emotions like humor, fury, compassion, disgust, horror, and peace.
Information Booster:
·
Total Art: Classical Indian drama is not just spoken word; it is a blend of
Natya (drama),
Nritya (dance/mime), and
Sangeet (music).
·
The Vidushaka: A standard character in Sanskrit drama is the
Vidushaka (Jester), a noble king's companion who uses humor to lighten the mood, ensuring the play isn't solely serious.
·
Happy Endings: Unlike Western Greek tragedies, Classical Sanskrit dramas almost always end on a positive note (happy ending), following the principle that order must be restored.
Additional Knowledge (Incorrect Options):
Only dance (Option b)
· While dance is an integral part, classical drama relies heavily on
dialogue (Vachika Abhinaya) and gestures. It is a form of theatre, not just a dance recital.
No use of makeup (Option c)
· This is incorrect.
Aharya Abhinaya (expression through costume and makeup) is one of the four main pillars of acting in Indian tradition. The makeup is often elaborate and symbolic (e.g., green for heroes, black for demons in Kathakali).
Only comedy scenes (Option d)
· Drama reflects all aspects of life. While
Hasya (Comedy) is one Rasa, plays deal with serious themes of duty (
Dharma), war, separation, and divine devotion.