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LIST I (Theatre) A. Abbey Theatre B. Theatre of the Absurd C. Hope Theatre D. Theatre of Silence LIST II (Leading figure/Founder) I. Martin Ess
Question

Match the List-I with List-II:

LIST I (Theatre) A. Abbey Theatre B. Theatre of the Absurd C. Hope Theatre D. Theatre of Silence
LIST II (Leading figure/Founder) I. Martin Esslin II. W.B. Yeats III. Jean Jacques Bernard IV. Philip Henslowe

A.

A-II, B-I, C-IV, D-III

B.

A-II, B-III, C-I, D-IV

C.

A-IV, B-I, C-II, D-III

D.

A-III, B-II, C-IV, D-I

Correct option is A

The correct matching is:
· A. Abbey Theatre – W.B. Yeats (II): W.B. Yeats was one of the founders of the Abbey Theatre, which became a major center for Irish drama and literature.
· B. Theatre of the Absurd – Martin Esslin (I): Martin Esslin coined the term "Theatre of the Absurd" to describe the works of playwrights like Samuel Beckett and Eugène Ionesco, whose plays reflect the absurdity of human existence.
· C. Hope Theatre – Philip Henslowe (IV): Philip Henslowe was associated with the Hope Theatre, an Elizabethan playhouse that hosted various performances during the late 16th and early 17th centuries.
· D. Theatre of Silence – Jean Jacques Bernard (III): Jean Jacques Bernard is linked with the Theatre of Silence, which focuses on subtle, introspective drama, often with minimal dialogue.
Information Booster:
1. Abbey Theatre was established in Dublin in 1904 and became a cultural hub for Irish nationalist plays and literature. W.B. Yeats and Lady Gregory were among its key founders.
2. Theatre of the Absurd describes a movement that emerged post-World War II, characterized by themes of existentialism, absurdity, and the breakdown of language. Martin Esslin popularized the term in his critical work.
3. Hope Theatre was built in 1614 in London and hosted a variety of performances, including plays and bear-baiting. Philip Henslowe was its manager and a significant figure in early English theater.
4. Theatre of Silence, led by Jean Jacques Bernard, emphasizes quiet, reflective moments in drama, focusing on internal character struggles rather than external action.

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