Arrange the following works of Criticism chronologically:

A. More than Cool Reason
B. Death is the Mother of Beauty
C. Margins of Discourse
D. Meter in English: A Critical Engagement
E. The Rule of Metaphor

Choose the correct answer from the options given below:

Correct option is D

The correct answer is E, C, B, A, D based on the following publication dates:

E. The Rule of Metaphor (1975): This work by M. H. Abrams was one of the first to tackle metaphor in literary criticism, focusing on its function in both literary analysis and broader language use. Abrams explores the rules and patterns governing metaphors, providing a systematic approach to understanding them in literary texts.

C. Margins of Discourse (1978): Written by Jonathan Culler, this book challenges traditional assumptions about literary theory and criticism. Culler focuses on the limits and boundaries of literary analysis, examining the role of language, interpretation, and criticism in understanding literary works. It became a key text for structuralist and poststructuralist approaches to literature.

B. Death is the Mother of Beauty (1987): This work by Kenneth Burke focuses on the relationship between life and death and how aesthetic beauty arises out of this relationship. Burke uses rhetorical criticism to examine how literary forms like beauty, symbolism, and mortality interact within the framework of literature.

A. More than Cool Reason (1989): Written by I. A. Richards, this book examines the relationship between emotion and reason in literary criticism. Richards explores how literature can invoke both intellectual and emotional responses, demonstrating how these two forces can be used to critique and understand literary texts.

D. Meter in English: A Critical Engagement (1996): This work by F. W. Bateson delves into the technical aspects of poetry, specifically its meter. Bateson provides an in-depth look at the structural features of English verse, focusing on how meter influences the meaning and flow of poetic texts. It serves as a critical engagement with the formal aspects of poetry.

Information Booster:

M. H. Abrams (1912–2015):

Notable Work: The Rule of Metaphor (1975)

Contribution: M. H. Abrams is one of the foundational figures of New Criticism. His work on metaphors and their significance in literary texts has been pivotal in understanding figurative language and its role in literary meaning. In The Rule of Metaphor, Abrams takes a detailed look at how metaphors function and influence reader interpretations, making it an essential text in literary theory.

Jonathan Culler (1944–Present):

Notable Work: Margins of Discourse (1978)

Contribution: Culler is a key figure in structuralist and poststructuralist literary criticism. Margins of Discourse is important for its insights into literary interpretation and the relationship between text and reader. It argues for a more self-reflexive approach to literary criticism that highlights linguistic structures.

Kenneth Burke (1897–1993):

Notable Work: Death is the Mother of Beauty (1987)

Contribution: Kenneth Burke was a leading figure in rhetorical criticism. He explored how symbolism and aesthetic experiences are central to literary forms. His work also challenges traditional approaches to literature by emphasizing the role of human agency in creating and interpreting meaning through symbols.

I. A. Richards (1893–1979):

Notable Work: More than Cool Reason (1989)

Contribution: Richards was instrumental in the development of practical criticism. He emphasized the importance of emotional responses in reading literature, bridging the gap between intellect and emotion in literary analysis. His works were foundational in the development of modern literary theory.

F. W. Bateson (1909–1990):

Notable Work: Meter in English: A Critical Engagement (1996)

Contribution: Bateson is known for his work in poetic meter and its importance in understanding English poetry. His critical approach to meter offers insights into how structure and form influence poetic meaning. This work has been significant for scholars of poetry interested in formal elements.