Arrange the following in the chronological order of the date/year of publication:
(A) Chitra Banerjee Divakaruni's The Mistress of Spices 
(B) Anand Giridharadas's India Calling: An Intimate Portrait of a Nation's Remaking 
(C) V.S. Naipaul's India: A Wounded Civilisation 
(D) Bharati Mukherjee's Desirable Daughters 
(E) Salman Rushdie's Midnight's Children 

Choose the correct answer from the options given below:

Correct option is C

Explanation:

The chronological order of publication for the given works is as follows:

V.S. Naipaul's India: A Wounded Civilisation (1976)

- This is a non-fiction work by V.S. Naipaul, published in 1976. In this book, Naipaul reflects on his observations of Indian society, culture, and the aftermath of British colonialism. The book is part of his travel writing series and is one of his key works focusing on the post-colonial condition of India.

 Salman Rushdie's Midnight's Children (1981)

- Midnight's Children, published in 1981, is a magical realist novel that tells the story of Saleem Sinai, born at the exact moment of India's independence. The novel covers the history of modern India through the lives of its characters, and it won the Booker Prize and the Booker of Bookers in 2008 and 2018.

Chitra Banerjee Divakaruni's The Mistress of Spices (1997)

- The Mistress of Spices, published in 1997, is a magical realism novel that tells the story of Tilo, an Indian woman who runs a spice shop in Oakland, California. The novel explores themes of immigration, identity, and cultural connection between India and the diaspora.

Bharati Mukherjee's Desirable Daughters (2002)

- Desirable Daughters, published in 2002, follows the life of Padma, an Indian-American woman, as she deals with her family’s past in Calcutta and navigates her identity in a modern, Western context. The novel addresses issues of identity, heritage, and the immigrant experience.

Anand Giridharadas's India Calling: An Intimate Portrait of a Nation's Remaking (2011)

- Published in 2011, India Calling is a non-fiction account where Anand Giridharadas, a journalist, reflects on the rapid economic and social changes in India after its liberalization. It contrasts the experiences of the globalized elite with the working class of India, offering insights into India's emerging role as an economic power in the global context.

Information Booster:

V.S. Naipaul's India: A Wounded Civilisation (1977) is part of Naipaul's exploration of post-colonial Indian society. The book critiques India's inability to overcome its historical trauma caused by British rule and the challenges of post-independence national identity.

Salman Rushdie's Midnight's Children (1981) is one of the most famous works in postcolonial literature. It addresses the historical and cultural changes in India post-independence and the partition through the lives of children born in the first hour of India’s independence. The novel reflects magical realism, a genre that blends the fantastical with the real world.

Chitra Banerjee Divakaruni's The Mistress of Spices (1997) uses magical realism to weave a tale of an immigrant Indian woman in the United States, reflecting the immigrant's struggle with the displacement of culture, identity, and tradition. The novel features themes of spices as metaphors for culture, power, and healing.

Bharati Mukherjee's Desirable Daughters (2002) delves into the lives of Indian-American women, addressing issues such as cultural displacement, family expectations, immigrant identity, and the role of women in the diaspora. The novel explores the tension between traditionalism and modernity in the context of the Indian-American experience.

Anand Giridharadas's India Calling (2011) is a non-fiction account that explores the economic and cultural changes that have taken place in India post-liberalization. The book highlights the challenges and complexities faced by modern India and focuses on the dichotomy between the country’s rural and urban populations, as well as the impact of globalization on Indian society.